Wednesday, December 22, 2010
Wednesday, December 8, 2010
Oh Christmas Tree



At the last watercolour classes before Christmas I have been teaching wet-into-wet techniques with Christmas ornaments for subject matter. In just two hours the results were merry and bright as well as reasonably proficient. So to all my watercolour students, Well Done and Merry Christmas!

Lesley at sea blue sky abstracts has a delightful giveaway this week, so hop over and have a stroll through her virtual gallery too.
Labels:
Christmas,
Grandmother's Tree,
nostalgia,
ornaments
Friday, December 3, 2010
A Miscellany

My kind computer friend has loaned me a Wacom computer tablet to play with, my first efforts in direct drawing are below. The stylus responds almost but not quite like a pencil or brush, and after the initial loop-and-scrolls scribbling (reminiscent of playing with my first rapidograph pen) I began to get the feel of it.

The tremendous crop from my pear tree led to some serious jam-making this fall. The first batch didn't set but the next lot did and was delicious as well. It can can become addictive once you taste successful jam in the making and view with satisfaction the row of full and warmly gleaming jars. There was more than enough to give away, which naturally led to the fun of designing and hand-painting the labels. I cut out rondels of textured watercolour paper, set atop circles of fabric cut from a favorite faded denim.
I was invited to a local Brownie troup recently to introduce them to watercolour painting. This was a highly enjoyable evening - I have only been to Scout meets over the last decade! Our subject matter was fairies, of course. I took along some of my samples and demonstrated my method for painting simple figures. After some initial experimentation the results were charming, a host of Christmas card fairies.
With Advent beginning this weekend the outdoor Christmas decorations went up and I brought my big Santa's List painting out of its storage place.
I painted this in 1997 and have put it outside by the front door to endure the early winter Advent weather every year. Successsive coats of protective glaze have all given way to cracks and flaking.
If I put it out this year Santa will literally disappear, flakes of colour flying away in the wind, and we can't have that. (But it would make an interesting story if he was reassembling somewhere else)
I have sketched an angel for a new panel, with a good coat of wood primer to go on before the paint this time. Santa will stay indoors and perhaps the angel will be ready in time for Christmas.
Happy Advent to all.
Labels:
Advent,
Brownies,
computer tablet,
Fairies,
Fairy alphabet,
Santa Claus
Friday, October 22, 2010
Rubber Stamps and Morning Glory Fairies
Tools assembled: the stamp, an ink pad and a brayer
for even application of ink.
for even application of ink.
image I cut the central part out of the first to make a window and
slipped the second print of the image underneath, for depth.
I started colouring with my finest pencils, gently applying the colour in layers for glowing tones.
standing out against a backdrop of clouds and flowers.
and made a floral corner decoration for the envelopes, also coloured in.
Stamping is a beguiling activity and strolling around the Creativ Festival yesterday we saw the latest innovations in stamping techniques and embellishments. There are more stamps in the box to be rediscovered and some nice new tools to try out.
Labels:
Etsy,
Graphistamp,
greeting cards,
Morning Glory Fairies,
rubber stamps
Saturday, October 16, 2010
"I wish I lived in a Caravan"

The fairy caravan paintings for Gypsy Visitors are among my favorite pieces, ones that beckoned me into the magic as I painted, with the lure of romance and adventure that was captured in the old poem "I wish I lived in a caravan". With original edition of Gypsy Visitors now sold out we are making the cover art available as a card, the newest item on the Etsy shop.
A short story of travel and discovery: On this beautiful autumn day Avril and I set out early to attend the Creativ Festival at the Convention Centre downtown. Michaelmas daisies and goldenrod made splashes of colour on the grassy edges of the highway as we left the suburbs. We eventually came off the expressway, into the city and past the CN Tower, consulting our downloaded tickets and discussing the best parking options and the booths we would visit. Having parked we made our way along the halls and up the multiple escalators of the Toronto Convention Centre, finally nearing the South Convention Hall and encountering the first trickle of crowds. We had both expected the other attendees to be more casually dressed for the occasion than they were - more casually chic with smart hand-made items and embellishments, more hats for example - but of course it w
as us.
The Creativ Festival is next
weekend, an
We made our way back to the car and went to Queen Street instead, finding an excellent bead shop and other stores that cater to the creative passion. I doubt that any of the ASBMR attendees had noticed us or wondered if they were overdressed for their own event. They were probably thinking only of the convention schedule and their part in its important work. (And reminded of the importance of dietary calcium, we both ordered salmon at lunch, and a glass of milk.) We'll go back next week, in creative company.
Home again some hours later and inspired by the thought of the many crafts that will be represented at the show, I went looking in the basement for a certain box that I put away years ago.
To be continued....
"We are all travelers in the wilderness of this world, and the best we can find in our travels is an honest friend."
— Robert Louis Stevenson
Tuesday, October 5, 2010
Trumpets from the Steep

Fully open, the trumpets
seem to shimmer with a dazzling haze of blue, reflecting the sky for one glorious day.
By late afternoon
the colour shifts, the blue
gives way to lilac....
and lilac gives
way to intense and deepening
pink, the blossoms infolding to buds
like furled parasols.
For the brilliant blue trumpets I must buy annual seeds, but the wild bindweeds (weeds indeed, yet welcome) come back readily and are equally fascinating to watch as the colour changes through the day, a glimpse of magic in the garden.

Labels:
blue,
fairy parasols,
morning glories,
trumpets
Friday, September 10, 2010
"Banbury Cross"
To see a fine lady upon a white horse..."
New on the Etsy shop are prints of one of my favorite pieces, the pen and ink rendition of Banbury Cross. It is one of a series of black and white illustrations of nursery rhymes, all on a large scale and all of them luxuriant in detail.
In my first year of art studies our required course materials included a set of Staedtler or Ko-Hi-Noor Rapidograph pens. There were four in the box, the nibs ranging in size from 1.0mm to 0.13mm, along with little ink cartridges and a spare bottle of india ink for refills. I remember the transformative delight of trying them out for the first time - the glossy, silky flow of ink as I styled fine leaves, flowers, feathers, curlicues and twisting vines, smaller and smaller with the increasingly finer nibs. It seemed one could approach infinity with fine enough tools. The white of the paper behind the ink sparked like silver filigree and I fell in love with black and white work for quite some time. I still begin paintings by visualizing them in black and white values, and in every series of watercolour classes that I teach there is a lesson in grisaille painting.
The fall term for art classes (two courses at least, possibly four) begins next week so it is well and truly autumn at last. From my one pear tree I have picked bags and basketfuls of fruit to give away. I took one large and overflowing basket to church this week and left it on the narthex table - all gone in minutes at the end of service. The last batch, below, represents one more afternoon of baking and jam making before classes and other painterly obligations resume.
In my first year of art studies our required course materials included a set of Staedtler or Ko-Hi-Noor Rapidograph pens. There were four in the box, the nibs ranging in size from 1.0mm to 0.13mm, along with little ink cartridges and a spare bottle of india ink for refills. I remember the transformative delight of trying them out for the first time - the glossy, silky flow of ink as I styled fine leaves, flowers, feathers, curlicues and twisting vines, smaller and smaller with the increasingly finer nibs. It seemed one could approach infinity with fine enough tools. The white of the paper behind the ink sparked like silver filigree and I fell in love with black and white work for quite some time. I still begin paintings by visualizing them in black and white values, and in every series of watercolour classes that I teach there is a lesson in grisaille painting.
The fall term for art classes (two courses at least, possibly four) begins next week so it is well and truly autumn at last. From my one pear tree I have picked bags and basketfuls of fruit to give away. I took one large and overflowing basket to church this week and left it on the narthex table - all gone in minutes at the end of service. The last batch, below, represents one more afternoon of baking and jam making before classes and other painterly obligations resume.
Labels:
Banbury Cross,
pears,
pen and ink,
print,
rapidograph
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